If you play two notes at a time, they will be connected by an orange line. If you play three or more notes at a time, they will form an orange shape. These geometric visualizations are meant to support and complement your aural understanding of intervals and chords, the way that they do with rhythms on the Groove Pizza.
Initially, musicians used 808s on their own as the kick. While you can definitely still do that, things have progressed. Nowadays, the subby 808s are most commonly found as a bass tone that’s been layered with a punchy kick sound. This punchier kick layer typically has less bass content and is there to help create a crisper attack. At its most basic, the kick and 808 play essentially the same pattern, but the 808 bass provides the sub and tonal content.
Oh, KanTay (I promise I didn’t make that up, and I am already regretting using it). Before all of this “Famous” garbage happened, Taylor Swift and Kanye West had a hilarious run-in at the VMA’s way back in 2009. Well, not hilarious for them. But super funny for the rest of the world watching.
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We can use the same modal shape with our legato technique as well. In this lick, we use a smooth and connected scalar approach on the first three beats, then shift gears to outline the chord by playing a Dm6 arpeggio. The lick ends on a common pentatonic bend to circle back around to the blues.
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In Duff McKagan’s case, after following Slash’s classic intro with a standard climb from the root to the fifth via the major third and perfect fourth of the scale, he returns frequently back to his fifth, and repeatedly makes use of that fourth-to-major-third-to-root motif. It works beautifully alongside the main guitar riff, but McKagan always seems to shine in song intros.
Learn about underwater acoustics and how sounds travel in different directions and across far distances via a marine audio highway called the SOFAR Channel.
And then of course, all the notes that aren’t in the scale would be numbered and identified in relation to their function in a chord, but we won’t go into that right now. This all came about as a result of music psychologist Carol Krumhansl’s experiments on how average listeners judged the placement of a “probe tone” in a short melodic excerpt. These tests would later be known as “the probe tone experiments.”
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If you’re a Splice user, you can choose an 808 sample from their library, or just generate your own and drag it into a sampler (not a drum rack!) of your choosing. Most samplers will automatically start resampling the sound so that its pitch is adjusted as you play it in.
But perhaps the most commonly popularized use of the horizontal hemiola pattern is found in Leonard Bernstein’s “America” from his brilliant West Side Story musical. The following Latin-music-inspired motif is so clearly supplanted as the foundation of this song’s structure, it’s almost impossible to hear the horizontal hemiola without thinking of it. Here, the effect of modulating between duple and triple meter feels particularly strong.
So when I found out there was a whole online culture of playlists for doggy consumption waiting for me out there on the internet, I was pretty stoked. I mean, I live for this stuff. Anything to make my dog’s life better, right?
According to the Ed Sullivan website, the popular host struck a handshake deal with Beatles manager Brian Epstein for, rather than a one-time appearance, a three-time opener/closer appearance. This offered exposure to over 23 million American homes on that very first performance, and thus, the ensuing Beatlemania took the United States by storm.