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No classic song is safe from the cover treatment… but how many cover versions are actually interesting to listen to? We delve in and pick out our top 10.
Once you’ve got the final vocal take dialed in, it’s time to start cleaning up problem frequencies with subtractive EQ. One of the most common problems is excessive low-end buildup from the proximity effect, which can be often solved with a simple high-pass filter around 100 Hz. There also tends to be some muddiness in the 200-500 Hz range, which may need some trimming.
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The points of reference are circled in red in the below image. Look at how the open string (Fret 0) and Fret 12 feature the same notes, but an octave above. The note of A appears three times so we can already see there’s a relationship between Fret 5 on the 6th string, and Fret 12 on the 5th string as well. We’ll explore this further as well.
There’s a ton of debate about whether they really do sound like the real thing. In my experience, amp simulators come extremely close, so much so that it does actually make sense to invest in one of these systems both for touring because of the convenience and ease of use. In the studio, though, where you’ll likely have several options available to you, it really comes down to taste and playability.
I mean, I would’ve loved to have been there, and I would’ve relished that sacred moment of being in bodily proximity to Jigga. But what did Jay Z really do here that is so unlike the typical process of recording and producing an album, and then throwing a killer party to release it?
Open mics make lofty promises about what they’re able to offer songwriters of all levels. I’m here to tell you that they’re still a waste of your time.
Luckily for myself, and all the other people out there like me, underneath the faded canopy of the bland mainstream lies a multiverse of challenging, engaging, explorative, enlivening work which I would say is the real “music of now,” and which I love deeply. So many colleagues and collaborators here in New York, bands with whom Tredici Bacci has had the honor of sharing bills, the musicians that are out creating their own platforms of presentation (because thats the only way to ensure that their voice will be heard), I admire them all so much and am endlessly inspired by them.
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The art of songwriting is a noble one. The task of storytelling through music, whether fictional or inspired by events in one’s life, is challenging and rewarding. But all delusions of grandeur aside, songwriting can be a real pain, especially when deadlines, stress, and writer’s block come into the picture. Whether you are writing music by yourself for a project, collaborating with your bandmates for your next release, or composing for another artist or a soundtrack, writer’s block can, at best, slow you down and make you question your creative abilities and, at worst, make you wonder if you’ve reached your artistic peak and question your entire career. If you find yourself experiencing these negative doubts about your songwriting, here are four steps to consider while you try to escape writer’s block.
Known as “the kiss heard round the world” during Madonna’s mashup performance of “Like a Virgin” and “Hollywood” at the 2003 VMAs, something pretty unexpected happened when all three divas were onstage together. The three-way kiss. Just look at that quick cut to Spears’ ex-boyfriend, a young Justin Timberlake, and watch his awkward reaction. Yup, that’s how everyone felt. It’s still weird to watch this after so many years.
Let’s kick things off with a banger! Bernard Herrmann is a film scoring legend. Psycho, Vertigo, Citizen Kane, you name it, he’s probably written it. One of his earliest films, The Day the Earth Stood Still, directed by Robert Wise, was also the first time Herrmann made use of the theremin. And, in fact, Herrmann used two theremin soloists in the score!
Now, you’ll also need to work out a door split with the venue. I always ask for the door split to be increased as we well more tickets. If I do a great job planning a show that brings in a ton of people, I think it’s fair to say that I should be rewarded by getting a better door split. The more people I bring in, the more money the venue makes on alcohol sales.
Tim: Taylor has created some really impressive work this session! Both his technical and creative understanding of his process have exponentially increased over the two sessions we’ve had together. I look forward to the next one!